Review – Joseph and the Amazing Technicolor Dreamcoat – The Hawth, Crawley

It’s now 50 years since its first ever performance but, with Union J heartthrob Jaymi Hensley now wearing the infamous loincloth, Joseph still does exactly what it has always done. It gives the audience, old and new, a show full of catchy songs with a solid but simple storyline. For the first time theatregoer it provides a fantastic introduction to the world of theatre and, for the seasoned audience member, seeing it again just feels like meeting a very special old friend.

c Pamela Raith Photography

Despite reaching the ripe old age of 29, Hensley has a brilliant combination of the boyish charm he needs in act one together with the more masterly persona required later in the performance. He is perfectly comfortable with both the comedic and emotional sides of his character. Congratulations are also due for the masterful way that his vast array of tattoos are covered and disguised. Jaymi’s voice is crystal clear and powerful and, throughout the show, it is very obvious that he is loving the opportunity to play the coveted role. He is also supported by a tremendous company, filled with young and enthusiastic talent.

Trina Hill takes on the role of the narrator and opens the show with a tender and heartfelt prologue which starts the journey back to biblical days. The Joseph set is the usual dual staircase one which looms large over the, otherwise empty, stage. On it sit the Joseph choir, from the The Theatre Workshop, who start their performance by providing the backing vocals for the brilliant, Any Dream Will Do.

The enthusiasm with which the brothers introduce themselves is carried on all the way through to the finale. Despite the breakneck pace of the show, the amazingly quick costume changes that are required and the hugely energetic Joseph megamix ending, they never seem to tire.

Another wonderful thing about this show is the way that so many musical styles are used and it’s great to see that the lead vocals are shared by so many of the cast. Particular mention should go to Joshua Robinson who sings a superb Benjamin Calypso and a very special mention goes to veteran Joseph cast member Henry Metcalfe who has played Jacob and Potiphar for longer than I can remember.

Pharaoh (Andrew Geater), still appears in his Elvis Presley jumpsuit, with flying scenery and pyrotechnics heralding his entrance. Surrounded by his adoring fans, Pharaoh gets the whole audience clapping along while he recounts the tales of his bizarre dreams, with enough time and energy to go through it all – “Just one more time”. He also powers his way through the newest song in the piece, King of My Heart.

This is not a show that will change the world, well, not completely. What it does do is take people, who may have had a hard day, and it makes them smile. It makes tired feet tap along to the superb music and it ensures that, whatever troubles are outside the theatre doors, they stay outside. This show is feel-good with a capital F and, I am certain, it will still be running fifty years from now!

****        4 stars

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